dog named john cherry (and you won't understand.)

dalmatian in a Korean cute store:
$8+tax in 1998 meant
i wrote 9 days of journal
in Chinese that i would slowly
disremember

when we moved we moved 2 blocks
to the other side of Key Food
on Roosevelt and Main
i got sick again
when nephrons shouted
for anarchy
and my kidneys lost it
for a while

at home,
braiding lanyard on the soft leather sofa,
school and citywides disappeared,
and so the energy to run
or walk
or walk on water
turned to wine.

when i dreamed of
walking without rocks
sinking down into my spine
i dreamed of chases
running in black
and the something that i never saw
so close behind the open door
framed in
episodic repeats
perfectly timed

on better days,
mom said, don't jump on the sofa,
it's new, you'll--
dad said, she won't do it when she's older,
so--
so i jumped unto the cushions
with some guilt and
childhood happened
in the air, in the fall.

when we moved to Forest Hills
i had grown older
and the sofa, still so new,
stopped at the door
of our new apartment:
the leather giant was too tall
and stood for two
hours in the hall.

1 centimeter.
we thought we could overcome
1 centimeter.

mom and dad told me
don't push, it is too tall,
don't push, it is too low.

and do you know why we can't move mountains?
because the sky is too low
and refuses to grow.

so the door said, no,
this will not pass, not pass
with each push we gave.
dad wanted to slash
open the leather
all that leather with the fold-in bed,
all of that expensive new trash.

fire burned through his throat,
burned through his pocket,
burned through his wallet.

"keep the cushions,"
so we kept the cushions.

on Monday garbage day,
when i came back from school,
the fold-in bed
and the beige cured skin
were gone from the curbside.

when i grew up
the journals stopped,
and i forgot Chinese.
$8+tax now comes in an hour,
but they no longer carry
dogs named john cherry.

dad was right. when i got older,
i never jumped on the leather sofa again.

and you won't understand.

on the beach at night.

smoky breaths in the tent
of 2 but 5, waiting for 3 but 2:
she fell asleep
in a body bag dark
blue and orange gray.

thinking puzzling verticals
grown of mysteries in death:
yes. no. yes. irrelevant.

lightflashed in the voices
swarming outside

inkflooded fingers and nails
too long to hold unto flight
black dots spilled like
romance across these hands
too old to swing

blankets loosed
clothing slips
we are confined.

some say hello to say
goodbye to some to say
hello to some goodbye
say goodbye say hello
some say say 
some say sigh

Easter.

i.
rising on sunday
so far so late.
wind grabs your shirt
and tug along,
the pollen flying
trying to find a home.

ii.
eyelashed,
two lips tell me
this is ready
this is good
this is where we are.
i wish i did not fear
water,
water in my ears and
nose, flooded ways.

iii.
feet slipping,
sheets slipping,
bodies slipping
down, down, down
to the place we went
to drown, drown.

iv.
maybe you saw the way
in which the clouds ran
after the rocks fell,
and maybe you thought
something was wrong
that even clouds had to 
escape.
but they could not go
much farther to the east, 
round and 
round and round again.

v.
then i rose,
and then i fell,
i thought, tomorrow.
tomorrow will not be too late.
tomorrow would be fine.
i can wait.

a thought.

if she tells, i'll say...

no, i don't. and you'll

ask, why?

you'll say

that's a lie.

i'll nod

       "i don't hope for hopeless things"

don't hope for soap bubble colors,

not soft baked cookies or soft baked

thoughts 

of sunday grass and breezy breaking 

voices 

soft after hours 

and you'll

ask and you'll ask,

no, no, i don't, i don't...

think about white in spring, autumn,

or falling leaves or falling for

falling bodies, failing bodies

hoping for hopeless things.