face, or, fate.

when you look at me that way,
you look at a stray in need of a home
and someone's love,
if you paid attention to my face,
you'd see a hint of skeptic glare:
stop your sympathy,
stop your care;
lay me down 
and feed me cyanide. 
many people have looked
to fill their quota for 
good samaritans go to heaven,
greedy to do a good deed,
packaging words like magic pills 
that would
ideally
last forever.
they never read my face 
the way i want them to,
but maybe (says mirror)
this face grows uglier
the longer you look.
poor mother, to see 
her daughter become me.
can't be loved if 
you aren't pretty, but mother
never had that worry, 
had those boys chasing
quietly 
goddess of all untouchables.
she'd chosen a smarter man 
who could not love her 
the way she wanted to be loved, 
for he was lovely in a different way.
and like a princess trapped 
she cried, and tears drowned
her firstborn, lost in existence:
died before it cried a sound
or coughed once in air.
and thus the angered God decided 
mother's next and only
child would live a similar fate
lost in existence
before her eyes had opened,
frightened in the womb
and born with fear of life.
she would eat apples with a love 
for their bitter seeds,
tread waters 
with impulse to drown,
hold knives with blood 
dreams and sad things.
if you'd read her face and understood,
you would have heard 
her smiling eyes 
gurgling as they drowned:
lay me down
and feed me cyanide.

advice from an old woman who loved too much, then too little.

silence is an awful price to pay for love,
this is advice from an old woman who 
loved too much, then too little,
then retired from the funny business
of dealing chips of hearts to gamblers
who never won and never lost on her table
but simply took the chips away to bet
on the roulette table's only piece of green.
yet the little round thing always ran 
too much, or too little, always landed 
on red, red, black, black
and wouldn't you know it,
they lost those chips every time.
it was her job to deal out those chips,
there was no other way for her to live,
she needed the pay and something
to occupy her mind and her hands.
working meant less thinking,
less regret, less hate and God,
take me away from here.
at night, her crying composed of
dry coughs and her head
not composed at all, her hands bang
and slide softly against her loose thighs,
unconscious movements
to smooth out her age,
one hundred touches for each minute
that has passed, plus interest.
if you can, imagine this scene without sound.
this old lady's world has no sound.
her naked body, preserved in this jam of years,
smeared across the beds of many past lovers
and men, strangers and even stranger strangers,
lies, unmoving, on her wooden floor, no longer
glossy, now
separated, empty
splinter ghosts pulling her flesh in under by her weight
in by her dense cloud of yesterdays collected 
in a penny jar filled with pay, chipped heart bits
tips
from the nicer customers who never understood
why they had come to this place to gamble
what little left they had sheltered in
their sweating hands, nervous with hope,
a guilty pleasure all on its own.
but she knew why they came,
living in their sleep the times that never change,
to take a half breath between drownings,
to elongate the process of dying to prevent 
the final act
whereupon
one lies in a wooden home, quiet and still.

on hopelessness.

i will write about lovers
because i will never be
complete without thoughts
of birds and bees and their
ugly children flying about
in my face when i can't sleep
when i can sleep but won't
sleep flies in front of my face
and asks me why i won't go
to bed with him tonight
why i won't go with him
right here and now
if i could but i can't
can and won't
tonight

why do the buildings fall
and the rocks crumble
under fresh air violent
under gentle water rushed
why do the flowers open
if they know they'll rot
within days or hours
in the months crueler
than those in winter
why do the children grow
and the teeth renew
when the fates will take
and take them away

when the birds tell me
it's another day now day
has come has passed
but you and i have not
lived in life but death
bodies building but for
a final fall
we are fools in this room
too much in time to think
what of life is worth
night and day after day
and the birds tell me
it's another day now
and what will you do
outside of this room?

who is responsible?

and what does your brain tell you?
you tell me your mind does not work.

well, tell me your brain does not work
and i shall call you a liar
for look on how your hands do lift
the strands of hair poking at your eye
and you tell me your brain does not work?
see the way your lips do part
opening and closing like a lifeless fish
and you tell me your mind does not work?
then observe, for this one is sure,
how your heartbeats do carry on
now quickly as if catching a bus
pulling away as you run later and later
is that not by your brain or mind?

liar.
and a bad one at that.
who is responsible for that action
if not your brain
if not your mind?

now you admit your brain does work
and your mind does turn
after all you are breathing and living
though life is dull

so should i ask you what you already know?
that if your brain should work
your mind be responsible
for your hands' constant motion
your mouth's breathless running
and your heart's flighty racing...

very well then, tell me:
who is responsible for your brain?

i did not ask.

inspired by friends' words on your wall
whitewashed and dirtied and whitewashed again
i stared at the sentences slowly running down the length
of top to bottom to never seen and ever hidden
why, then, do they write on changes of paper
whose wish and will is only to travel south
eternally rolling to an unknown anywhere
better off than an endless everywhere
yet poorer than there or here or here or there

now looking at these words of everyday tones
she says hello and you reply in wishes for days
of nothing in particular but always goodness and health
and may we live until next year's birthday party
when all we would do is exactly what we have done
today we lived for nothing in particular
and tomorrow we will live because the days are abundant
because the day after tomorrow will wait on us
waiting with the patience of a mother who is too tired to speak
waiting in her silence, her yes and okay.

now hush
just listen
i did not ask
for your opinion

so on one of these quiet days we will walk out our apartment doors
and pick up our newspapers delivered on time, again
but this time when we look down to the printed headlines we will see
no headlines and no words and no date and no names
and do you know why?

now hush
just listen
i did not ask
for your opinion

no, we have not yet gone blind with our senile lives
(but good guess, for we will soon)
for like oil stains that are too long ignored
these similar days will ruin our whitewashed walls
which, at an eventual time, will have turned transparent
ignoring our wishes for a whiter white, a new beginning
when the walls are recklessly dirtied beyond repair
you will no longer see the words your friends have written
on your face your horror congealed with disbelief
do you not know what is happening?

now hush
just listen
i did not ask
for your opinion

yes, i know you did not foresee this
but you have heard from your parents, have you not, of this
monstrous creature who deletes all your memory of files
of memories you should have kept so near to your own heart
but you, silly girls and boys, did not believe your parents' words
for you thought them old and dated, useless compared to today's great things
that man has created, things greater than God,
things greater than all, including you!

now hush.
just listen.
i did not ask
for your opinion.

you realize at this point who is old, who is dated, and dare you tell me
who is useless? dare you tell me
whose responsibility had been forsaken? dare you tell me
anything i had not known already?
oh.
am i bitter? 
and now have you any reason not to be bitter,
forbidden from speaking as if my hands are on your mouth,
as if my nails have clawed your lips together and sewn them forever,
as if i have any power against your wish to tell me some more lies
made in denial?

why, look at me.
i have no hands,
i have no control,
i barely have this voice
residing in your mind.
and you, dear, should know better
than to call me a fraud:
have you forgotten
that i used to be simply
the patient, silent voices
of your memories whitewashed away?

sunspots.

spring kissed the grass
kissed lovers good night
who heard not the poison in spring
fever from ticks in the ground

too many twinkles to count
blinking wishes hung up to dry
would crash us any day
if they'd only try

before earth stops its dance
before i escape this trance
keep your voices low
keep me aglow

light the collapse
observe
nothing in its place
silently exhaled

to nothing we'd go
from nothing we appeared

parallax:
measured by 
your
i

distance 
from here to there
remains
unknown.

did i

did i go there
to that place
where one should not
or so says Father?

did i go there
two days before
then yesterday again
and today too?

did i go there
down that path
where two shall go
i went alone

Father did ordain
do not rush
when you are ready
you shall travel

with your heart in place
with your mind on track
with your body strengthened
and someone to care

but did i go all alone
two days before
and last night again
what i did too today

and Father knows
when i did sneak out
behind the tree branches
where i thought

no one would see
but i, at night
wherefore i thought
the evening has no eyes?

for what did i
trip down that lane
where dead mud of ages
moan in dark

yes, i, did i
fell into that mud
unclear, unclean
and withered

for i took my own hand
and felt for it
and thought i found it
when i was all but lost

they say you die
on that road
should you travel
down that way

did i go there
once twice thrice
did i die
or merely burned

some dark light
in that dark night
some dark moans
in dirt and sweat

and Father knows
though i lied
i do not believe
i took that trip

yet so clearly
on my skin
were those bruises
that made a girl

so unwhole.

now, now.

would you like to know:

your heart is not the only broken heart in this long line of wounded soldiers forced to carry on through this most unkind war and remember you willingly signed up for the battles the good the bad the beautiful the beautiful the beauty of life withering in front of your eyes looking at yourself in the mirror your mouth opened and your eyes shot down like pawns left to drown surrounded by the sharks that love to tear your heart smelling of freshly squeezed blood streaming down your down your down on the floor playing on the floor playing with love playing dead with love does not love you like you love love love standing inside that microwave heating up your heart on a plate of blood dripping on the white on the white beeep beeep beeep you love to watch it go round on a merry go around like a child laughing with his heart still whole like a whole apple that has not yet ripened not yet bitten not yet oxidized gone bad with mold so no one can eat it but if you want another another heart another another heart i can give you mine you can have mine you can have you can have a heart have a heart.



gel.

i do not love you enough
to run after you

i dip my fingers in sadness gel
and smear it on my lips

i do not love him enough
to run after him

i dip my fingers in sadness gel
and smear it on my eyes

i do not love her enough
to run after her

i dip my fingers in sadness gel
and smear it on my nose

i do not love you enough
to run after you

i dip my fingers in sadness gel
and eat it with my lungs.

ready. (in process.)

last summer, you told me to listen
to a man whose name was good
as the loneliness of his voice
singing of the islands on which we live
singing of the sun we had torn apart:
we cannot share what is whole
we break it then wait 
with palms of blind beggars
wait for our piece to fall
into our hovering hands
holding on to nothing more
than that coin of chance 
and hope rusted

last summer, when my mind was still
so unsure for you and your words
when my mind was still shaking
from the way you walked
unto the closed pathways
still in construction
made your foot soles stick their souls in
my undried cemented pavements 
worn before they were new

when my mouth had said no
no longer will i
no longer do i
no longer the endless yes
yes to late night magic tricks 
yes to sleepy eyes of early mornings
yes to rainy weather and baked sighs
warm inside until it was too hot
until i had to go outside 
and catch a cold 
walking in the sweat of dying clouds

would you say i am an honest one
who can say no when i mean no
who can say yes when i mean yes
who can say i don't know when
i don't know
and i don't know
when to say yes
when to say no
when to say i'm sorry, goodbye
or i'm sorry, i may have lied
i may want to still say yes
say i do
to last summer's hanging rain
collecting my uncut hair

last summer, i told you who
i loved you and hated you
i slept with another boy
with smiles drawn on my hands
had covered my mouth
and forgotten you
until you asked

in the summertime,
we wait for rust to fall
off that lonely coin we hold,
wishing we could catch a cold--
though we are no longer warm
even in that post-spring burn--
remembering, in the year before
rain only came in pieces 
of our broken sun.

[if we could, we would]

if we could, we would
tell each other our secrets
in the soft glares connecting
all our word pools together
unspoken but said
in the footsteps we make
in our goings and walks
down the stairs
down the road

when we see the secrets
unspoken but said
in the way we close our doors
in the way we shut our eyes
in the way we run away
before i ever approached
before i ever looked
before i ever tried

to see the secrets
unspoken but said
behind closed mouths
drowning somewhere
in our minds.

verses conflicting.

like cold air rising
mother sends me off
with words from 
the mouths of men
deep in trouble

like i, waking
with timeless time's
blood on my hands
reflecting the look
of God's present eyes

like night breath leaving
these soft foul gates
rusting in saliva
creaking teeth
endless war

like i, living
yet with discontent
may no man say
i am incompetent
though we know

like snowflakes melting
on heated stones
where your head lay
where your thoughts 
spilled unintended

like i, mother
of none of none
with stilled blood
wrinkling skin
my bags of weight

like wine spilling
on virgin carpets
cheap waves rushed
euphoria forced
upon the floor

like i, daughter
of you of you
unnamed
unhappy
God hears me not.

hands on

a man with pretty hands
and light colored hair
frowns a sad frown
soft like childhood
fairy dust

his hands on

a soft woman
a lady
nice all right
soft like a feather
on his cheek
soft like lips
on his closed eyes
soft like 
soft like

his hands on

soft like skin
slut turned nun
brita filtered
water boiled
happiness fired
swallowing wind

his hands on

his closed eyes
will not open
till she cries hard
wolf wolf!
and he sees
a running beast
and dies for her
only truth
hardly hardly
a rare sight

his hands on

being born
born again
from a virgin's
unsullied mouth
now opened
from heaven
down to hell
to the shouting
of the belle

his hands on

time
laid out
passed out
in pain
in passing
time in
time out

his hands on

she make him
oh does she 
does she
she
make happy
him happy 
hands on
hands on.

to be.

and after now
i cannot unsay

i want to be your favorite person.
i want to be your favorite friend.
i want to be your favorite flavor.
i want to be to be to be.

i want to be your favorite daughter.
i want to be your favorite mother.
i want to be your favorite lover.
i want to be your woman-girl.

i want to be yours
is that too sweet?
is that cloying
as it clings
to the roof of your mouth
like peanut butter?
can you breathe
or have you cotton balls
stuck inside your narrow throat?
well, too late
i said it now
i said it all
unabridged
bluntly like a four-year-old
caught with candies
in her paws
in her pockets
on her lips:

i want to be to be to be
your favorite forever
forever forever.

to a magician.

truth be told
i want to sleep with you--
but that is all:
sleep--and that is all.
no private parts:
we will be open
with nothing between us
nothing to hide
under below 
or from each other:
we will be
the cotton sheets:
sandwich of patience
always savored
never consumed.
and all i wish
is to sleep with you:
in sleep i trust 
you will make me 
disappear.

scenes.

1.
oh darling
brother said
do not go alone into the water 
you do not know how to float
you do not know how to run 
or how to live there.

2.
i jumped before he returned
i tried to walk in
like walking into home
like normal
in the water where the creature lives
where the grass is in tangles and gold
where the grass tangos 
and holds me close.

3. 
do not be so quick
you cannot 
cannot leave me here
do not
do not leave me here.

4.
when i was 6
i learned how to swim
in a pool so shallow
with water too clear
too medicated and too blue
when one day i tried to swim
and the day was too cold
and the water was too cold
and my body was too cold
too medicated and too blue.

5.
darling darling
i told you so
i told you do not 
do not go there
you do not know 
how to live there
do not
do not leave me here.

6.
mama tried to give me ginger soup
give me some warmth and breath
but my lips were too blue
i already too cold
then mama cried some ginger tears
all hot and nice
like sugar and spice
like the stuff good girls are made of
stuff i never had.

7. 
it's lonely here on sunny days
the waters are warm 
natural and nice
makes me wonder 
if i had waited
if you would float
beside my body
darling now.

come.

it does not matter if we take a walk
on the bed of spilling skies
if the clouds just roll on by
we can sit on the grass
and listen to our whispers
lie

take a blade between your hands
blow and hear it scream
like a duck brought to slaughter
in the room where echoes live
haunting corpses composed of dust
blow and hear them scream
do not touch me
i am old

when you come to this place
clouds roll on
sheets slipping off the bed
as if i never left
as if you never said
"let us
go then
you and i"

down where?
they all go down there
the same route left and right
some take longer
and some disappear
some last for one night
and some never come
some never leave
and some never wait

and what if?
can i take you with me
up to nowhere?
and what if?
can we just wander
and walk and watch
the clouds roll on?
will you come
if i have no wine
if i have no smoke
if i have nothing
but this bed here?
will you come
if i have nothing
but this bed here?

old age.

you touch and go
forgetting you
remembering is
hard at this age.

you gave up on them
a little too soon
memory of memories
who tried to say

look at me
do not let slip
who i am
who am i?

look at me
do not be blind
i am you
and who are you?

unfortunately,
ears do not wait
to hear
or be heard

life is unknown
until you leave
babies and funerals
trees that weep

circles go round
strings unwind
looping music
looping years

orbiting in a vacuum
surrounded by fire
water and ice
dusts of time

who can live
in this space
who can play
in this box

and did i pay
for my way in?
and will i pay
for my way out?

and what if
they had not kissed
had not loved
had not hated

me, look at me
who am i
you, look at you
who are you

when i cannot hear
the ringing sounds,
round and again
miss my wake,

wind that cries
almost never
never dies
dies.

in heaven, in hell.

will be happy
will be scared
will be will be
the day you cared

have a drink
sweet apple juice
have a sip
feel the noose

tighten
lightened
of this
this heavy burden

hells bow down
to your words
queen inexperienced
queen of desire

won't you won't you
stay right here
won't you won't you
keep me safe

you hear him say
in this hell
i love i love
all of you

and in heaven
past lovers frown
recalling empty
once and forevers.

conscious.

conscious 
of the fact that
i have all this
and more.

i know you are
conscious
but i
am more
conscious.

conscious
of this extra skin
this extra flesh
these extra extra
extra pounds
or kilos
or ounces
or wafer lights.

conscious
of this extra 
extra extra
top of the morning
to you
to you
news of extra
extra extra.

conscious
of this extra
extra extra
all the love
all the money
all the water
a third world
hopes for 
extra extra
all in my hand.

conscious 
of this extra
extra extra
guilty guilt
all the privilege
and throwaway
pennies and wishes
on the floor
unwanted
unseen.

extra
conscious
skin
pound
money water
love and guilt
forgotten wishes
on the floor,
melted together
under my nose
like a rain puddle
dead leaves and dust.